articles immediations 2016 volume 4 number 1
JESSIE ROBERTSON // How not to be seen: the political aesthetics of opacity, 2011-2014
MICHELE COLLIER // Ambiguous narratives: reading all’antica reliefs in the studiolo in early-sixteenth-century Italy
WILL ATKIN // Crystalline thought: alchemy and ‘visionary mineralogy’ in the writings of André Breton
OLIVIA GHOSH // Drawing death and desire: Egon Schiele’s nudes and early-twentieth-century Vienna
