Vanguard and Revolution: The ’68 Radicalization in the Argentinian Avant-garde - The Courtauld Institute of Art

Vanguard and Revolution: The ’68 Radicalization in the Argentinian Avant-garde

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Sackler Lecture series

Vanguard and Revolution: The ’68 Radicalization in the Argentinian Avant-garde

The Courtauld Institute of Art, Somerset House, Strand, London

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  • Monday 12 March 2018
    PLEASE NOTE: This Date Has Passed
    6:00 pm - 7:00 pm

    Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London, WC2R 0RN

Speaker

  • Prof. Ana Longoni - Universidad de Buenos Aires

Organised by

  • Dr Jo Applin - Courtauld Institute of Art
  • Dr Klara Kemp-Welch - Courtauld Institute of Art

PLEASE NOTE, THIS EVENT HAS BEEN CANCELLED DUE TO THE ONGOING UCU INDUSTRIAL ACTION.

We apologise for any inconvenience this may cause you. 

Ana Longoni is a writer, researcher of CONICET and professor in Universidad de Buenos Aires. Since a short time, she is Director of Public Activities in the Reina Sofía Museum (Madrid). She received a B.A. in Literature and a Ph.D. in Arts from the Universidad de Buenos Aires, where she currently lectures in grade and postgrade courses. She often lectures as invited professor in other universities. Her field of research is centered on the crossroads between art and politics in Latin America since the sixties. She has published, alone or in collaboration, among other works: Del Di Tella a Tucumán Arde (From the Di Tella Institute to Tucumán Arde) (Buenos Aires, El cielo por asalto, 2000; and Eudeba, 2008), Traiciones (Treasons) (Buenos Aires, Norma, 2007), El Siluetazo (The Silhouettes) (Buenos Aires, Adriana Hidalgo, 2008), Roberto Jacoby. El deseo nace del derrumbe(Desire Rises from Collapse) (Barcelona, La Central, 2011), Leandro Katz (Buenos Aires, Fundación Espigas, 2013) and Vanguardia y revolución (Avant-garde and Revolution) (Buenos Aires, Ariel, 2014). As a playwright, she wrote “La Chira” (2003) and “Árboles” (2006).

In her role as curator, she coordinated the exhibitions “Desire Rises from Collapse” (2011), “Losing the Human Form” (2012), both at the Reina Sofía Museum (Madrid), and “With provocations by Juan Carlos Uviedo” (2015) and “Oscar Masotta: Theory as action” (2017) in MUAC (México).

She is also an active member, since its foundation in 2007, of the Red Conceptualismos del Sur (Southern Conceptualisms Network).

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