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- A Reader in East-Central-European Modernism 1918–1956
- 1. In the Currents of the International Avant-Garde Movements | Krisztina Passuth
- 10. Rytm, Sanacja, and the Dream of Modern Art Patronage in Poland (1922–1932) | Małgorzata Sears
- 11. The Poverty of the Matriarchal Ornament and the Gleam of the Civilised Woman | Martina Pachmanová
- 12. Modernity, Indifference, and Oblivion: Katarzyna Kobro and Maria Jarema | Waldemar Baraniewski
- 13. The Hungarian Prinner | Júlia Cserba
- 14. Old Worlds and the New Vision: The Ethnographic Modernism of Karel Plicka’s The Earth Sings (1933)| Jonathan Owen
- 15. Derkovits: The Artist and his Times (‘Introduction’ & ‘Fade-ins: The Art of Gyula Derkovits and Interwar Hungarian Social Photography’) | Katalin Bakos and András Zwickl; Ágnes Kusler and Merse Pál Szeredi
- 16. Modernism and the School of Arts and Crafts in Bratislava | Iva Mojžišová
- 17. Looking Forwards or Back? Shifting Perspectives in the Venice Biennale’s Hungarian Exhibition: 1928 and 1948 | Kinga Bódi
- 18. Cyprián Majerník: From the Grotesque to the Tragic | Zsófia Kiss-Szemán
- 19. ‘Do You See Anything?’ Asked Poussin: The Informe, Bataille, and the Czech Surrealists | Lenka Bydžovská
- 2. Is the Cubism that is Czech Also Universal? Czech Art Theory (1921–1958) and Cubism as a Cultural and Transcultural Phenomenon | Marie Rakušanová
- 20. A ‘Modern’ Official Art: The School of Rome | Julianna P. Szűcs
- 21. Two Important Czech Institutions, 1938–1948 | Lucie Zadražilová and Milan Pech
- 22. Strzemiński’s War | Luiza Nader
- 23. ‘The Joy of New Constructions in Times of Homelessness’: Marian Bogusz’s Art of the 1940s | Agata Pietrasik
- 24. Artist Among the Ruins. Art in Poland of the 1940s and Surrealist Subtexts | Dorota Jarecka
- 25. Film Montage and the Principle of Montage in Non-Cinematic Media, A Case Study: The Early Collages of Jiří Kolář | Tomáš Pospiszyl
- 26. The European School and the Group of Abstract Artists (‘Between the Ramparts: The Critical Reception of the European School and the Gallery of the Four Directions’ & ‘Broken Dolls: Central European Parallels and Connections’) | Péter György and Gábor Pataki
- 27. The Embodiment of Communist Utopia: Socialist Realism in Slovakia, 1948–1956 | Zora Rusinová
- 3. Parasitism | Andrzej Turowski
- 4. Palimpsest – A Possible Language for Interpreting Twentieth-Century Art History (As Illustrated by Košice Art of the 1920s) | Zuzana Bartošová
- 5. Zdeněk Rykr and the Chocolate Factory | Vojtěch Lahoda
- 6. A(bs)traction: The Czech Lands Amid the Centres of Modernity 1918–1950 (‘(Not Only) on the Relationships Between the Fine and Applied Arts [Introduction]’ & ‘The Decoration of Decorative Art’) | Hana Rousová
- 7. The Magazine Formiści and the Early International Contacts of the Polish Avant-Garde (1919–1921) | Przemyslaw Strożek
- 8. Balancing ‘Absolute Painting’ and Reality: Ľudovít Fulla and the Paradoxes of Slovak Modernism | Katarína Bajcurová
- 9. Biomorphism as Avant-Garde Deconstruction | Andrzej Turowski
- Acknowledgements
- Contents
- Dedication
- Front Matter
- Introduction
- Continuous Page: Scrolls and Scrolling from Papyrus to Hypertext
- 0. The Continuous Page | Jack Hartnell
- 1. ‘This Fragile Thing – With Bite’: Nancy Spero’s Feminist Scrolls | Rachel Warriner
- 2. Reading in the Provinces: A Midrash on Rotulus from Damira, Its Materiality, Scribe, and Date | Judith Olszowy-Schlanger
- 3. Hieronymus Cock’s Baths of Emperor Diocletian (1558) and the Diascopic Architectural Print | Michael J. Waters
- 4. Krishna’s Life-Story in Bengali Scrolls: Exploring The Invitation to Unroll | Pika Ghosh
- 5. Scrolling the Emperor’s Life and Triumph | Eva Michel
- 6. Speculations on the Visibility and Display of a Mortuary Roll | Stacy Boldrick
- 7. The Mediation of Death and the Temporality of the Scroll (Japan, c.1200) | Kristopher W. Kersey
- 8. Narrating Charity at the Ospedale del Ceppo | Rachel E. Boyd
- 9. ‘Yf A Woman Travell Wyth Chylde Gyrdes Thys Mesure Abowte Hyr Wombe’: Reconsidering the English Birth Girdle Tradition | Katherine Storm Hindley
- 10. Making the Impossible, Possible: Ivor Beddoes and Superman’s Flying Ballet | Claire Smith
- 11. Manzoni’s Line: From the Roll to the Infinite Painting | Luca Bochicchio
- 12. ‘Literally One Damned Thing After Another With No Salvation Or Cease’: Jack Kerouac’s On the Road Manuscript as Performance Teleology | Michael Hrebeniak
- Gothic Architecture in Spain: Invention and Imitation
- Contents
- Acknowledgements
- List of Illustrations
- 1. Gothic Architecture in Spain: Invention and Imitation | Tom Nickson
- 2. The ‘Sumptuous Style’: Richly Decorated Gothic Churches in the Reign of Alfonso the Learned | Henrik Karge
- 3. The King, the Architects and the Philosopher: Invention in Mallorcan Architecture around 1300 | Javier Martínez de Aguirre
- 4. Architectural Practices in Spain, 1370-1450: Documents and Drawings | Encarna Montero
- 5. Patterns of Intention: Royal chapels in the Crown of Aragon (fourteenth and fifteenth centuries) and the Capilla de los Reyes in the Convent of Saint Dominic, Valencia | Amadeo Serra Desfilis
- 6. Inventio and Imitatio: The Appropriation of Valois Style by a Converso Contador Mayor | Nicola Jennings
- 7. New Functions, New Typologies: Inventio in Valladolid’s College of San Gregorio | Diana Olivares Martínez
- 8. Imitating a Model, Establishing an Identity: Copying San Juan de los Reyes at San Andrés, Toledo | Costanza Beltrami
- 9. Redesigning Miraflores: Simón de Colonia’s Architectural Perception | Nicolas Menéndez González
- 10. Hallenkirchen and Spanish Gothic Architecture: Historiographic Invention and Architectural Imitation | Begoña Alonso Ruiz
- Photograph Credits
- Gothic Ivory Sculpture: Content and Context
- Collaboration and its (Dis)Contents: Art, Architecture, and Photography since 1950
- Modernist Games: Cézanne and his Card Players
- Picturing the Netherlandish Canon
- Revisiting the Monument: Fifty Years Since Panofsky’s Tomb Sculpture
- Revival: Memories, Identities, Utopias
- A Reader in East-Central-European Modernism 1918–1956
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- The Moving Image as Subject and Practice in American Art, 1900-1990
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- Faint with Light: Marianna Simnett in conversation with Sarah Wilson
- Live Call, Lydia Ourahmane, 2019
- Render visible: on wellness and free markets with Ed Fornieles
- State of Insecurity: Government of the Precarious, Isabell Lorey, 2015
- Staying open: Rózsa Farkas on space in the reality of coronavirus
- The Burnout Society, Byung-Chul Han, 2015
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- Survey of Historic Wall Paintings in the British Isles
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- Brittle and Flexible: The structural stabilisation of painted plaster on suspended wooden ceilings
- Lasers: a preliminary study of their potential for the cleaning and uncovering of wall paintings
- Monitoring solar radiation on painted architectural surfaces: An investigation into the use of a CCD camera system
- Scientific examination of the sculptural polychromy of cave 6, Yungang, China
- The significance of appropriate sampling and cultivation techniques in the effective assessment of biodeterioration
- Tourists and wall paintings: potential effects and possible amelioration
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- Immediations No. 17 2020
- Alevtina Tanu
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- EDITORIAL 2020
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News Posts
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- Renoir’s masterpiece La Loge goes on display at Ulster Museum
- Professor Sussan Babaie appointed as a Specialist Advisor for the Research Excellence Framework sub-panel
- Temporary closure of Vernon Square – Wednesday 9 December 2020
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- James Hughes-Hallett CMG (1949-2019)
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- Professor Kerry Downes (1930-2019) obituary
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- Griselda Pollock and Daniella Luxembourg awarded honours by The Courtauld Institute of Art
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- Professor Peter Kidson
(1925-2019) - Andrew Adcock
(1953-2019) - The Courtauld appoints seven new Trustees to Governing Board
- The Courtauld to host ARTiculation 2019 London Regional Heat – Tuesday 10th January 2:30pm – 5pm
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- Worlding Art History: Negotiating the Global and the Local
- #PressforProgress – International Women’s Day 2018
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Events
- [ONLINE] Images of Feminist Resistance: Artist Helen Cammock
- [ONLINE] The Mood of a Place: A Sensible History of India’s Eighteenth-Century Locals and Locales
- [ONLINE] Eagles, dragons, griffins, and angels: Netherlandish brass lecterns in context
- [ONLINE] Brutal Aesthetics – Hal Foster and Kent Minturn in Conversation
- Short Courses Virtual Open Morning
- [ONLINE] Morbid Curiosity? Painting the Tribunale della Vicaria in Seicento Naples
- [ONLINE] Art, Architecture and Reputation Management in Early Fourteenth-Century England
- [ONLINE] Addressing Images: Niall Billings
- [ONLINE] Open Courtauld Hour: Indecent Exposure?
- [ONLINE] Open Courtauld Hour: Radical Printmaking
- [ONLINE] ‘“It’s Showtime!”: Anton Perich Presents and the Performativity of the Party’
- [ONLINE] Andy and Edie planning an ‘Afternoon’ (1965): fallacies and film practice in Warhol’s cinema
- [ONLINE] False Advertising: The Reception of Television and the Creation of Art in the East Village
- [ONLINE] The Shop Girl in Movies and Fine Art
- [ONLINE] Tom Day and Jo Applin – In Conversation with Jann Haworth
- [ONLINE] Let any one of you who is without Sin…
- [ONLINE] ‘immediations’ no. 17: behind the journal
- [ONLINE] What Collages Do: Four Lessons and a Timeline
- [ONLINE] Dan Hicks and ‘The Brutish Museums’
- CFP: American Art Archives in Britain
- [ONLINE]: Continuous Page: Bringing Art Online in a Pandemic
- [ONLINE] Painting Dissent: The American Pre-Raphaelite Experiment
- [ONLINE] Earth Diplomacy: Diné Arts of Reciprocity, 1966–1968
- [ONLINE] Blackening Surrealism: Ted Joans’s Ethnographic Surrealist Historiography
- [ONLINE]Light, Land, and Water: Native and non-Native Visions of New England
- [ONLINE] Gay Bar: A dig beneath the disco
- [ONLINE] Iteration: Episodes in the Mediation of Art and Architecture
- [ONLINE] ‘Display and Displacement in Medieval Art and Architecture’
- [ONLINE] Fashion Interpretations Symposium Part V
- [ONLINE] Fashion Interpretations Symposium Part IV
- [ONLINE] Fashion Interpretations Symposium Part III
- [ONLINE] Fashion Interpretations Symposium Part II
- [ONLINE] Fashion Interpretations Symposium Part I
- [ONLINE] Creators in the get-rich economy: An ‘In Conversation’ with Arnaud Esquerre, Prof Sarah Wilson and Harry Woodlock
- [ONLINE] Print Room Open House
- [ONLINE] Book event: Reflections: contemporary art of the Middle East and North Africa
- [ONLINE] Secondary School Teachers CPD Event
- [ONLINE] Key Stage 2 Primary School CPD Event; Primary School Architecture: Discover, design, discuss
- [ONLINE] Ethiopian Christians in Florence: Filippino Lippi’s Adoration of the Magi and ‘Miracle of St Philip’
- [ONLINE] ‘Remarkable women’: Female patronage of religious institutions, 1300-1550
- [ONLINE] Open Courtauld Hour: Rainbow Lenses
- [ONLINE] Open Courtauld Hour: British – Art, Immigration and Migration
- [ONLINE] After Vienna, 1683: A Portuguese Prophet of Ottoman Doom
- [ONLINE] Symposium – Precious and Rare: Islamic Metalwork from The Courtauld
- [ONLINE] Textual Abstraction Within Transnational Modernism – Part Two
- [ONLINE] Textual Abstraction Within Transnational Modernism – Part One
- [ONLINE] Imperial Visions: Art, Architecture and the British Empire in India
- [ONLINE] The Big Draw Festival
- [ONLINE] Greetings to the Liberated, or, The Periodical as Propaganda
- [ONLINE] New politics, new methods: James Barry’s printmaking at the time of the American Revolution
- [ONLINE] Open Courtauld Hour: Rethinking Gauguin
- [ONLINE] Feminism’s Occult Imagination: Artist Tai Shani
- [ONLINE] Scripture Transformed in Late Medieval England: The Religious, Artistic, and Social Worlds of the Welles-Ros Bible (Paris, BNF FR. 1)
- [ONLINE] The Elephant in the Room, at Gourdon in Burgundy
- [ONLINE] Afterlives of the Kingdom of Haiti, 1820-2020: Art, Refinement and Material Culture
- [ONLINE] Third Year PhD Symposium
- [ONLINE] Travelling Objects, Travelling People: Art and Artists of Late-Medieval and Renaissance Iberia and Beyond, c. 1400–1550
- [ONLINE] A Rock-Hewn Revolution in Early Medieval Ethiopia
- [ONLINE] Radical Alternatives: Temporal and Spatial Mediations in Contemporary Iranian Art
- [ONLINE] Book event: ‘Ascendants: Bauhaus Handprints Collected by László Moholy-Nagy’
- [ONLINE] Addressing Images: Nadya Wang
- [ONLINE] ‘Dogs of the world unite’: Keith Haring and New York’s queer canine imaginary
- [ONLINE] The 38th Annual Gerry Hedley Student Symposium
- [ONLINE] Artist Talk with Karl Ohiri and Mohini Chandra
- [ONLINE] Artist Talk with Sunil Gupta
- [ONLINE] Open Courtauld Hour: New Takes on The Courtauld Collection (Poetry Special)
- [ONLINE] Open Courtauld Hour: Past Orders – Art and Social Scenes
- [ONLINE] Open Courtauld Hour: The Art of Feasting
- [ONLINE] Sam Francis and the Philosophy of a New Aesthesis
- [ONLINE]: Violent Fluids: Feminist Histories of Blood
- [ONLINE] Art History in Climate Change
- [ONLINE] Jane Austen Embroidery: from the Lady’s Magazine to the Stitch Off
- [ONLINE] “What Comes Next?” – Careers in Art History
- [ONLINE] Declaring Emergency: Museums and the Climate Crisis
- [ONLINE] McQueens Illuminating Objects Talk and Panel: When Art meets Science
- [ONLINE] Ornament and Obsolescence: Lee Krasner’s Mosaics for Wall Street
- [NEW DATE – ONLINE] Facture Wars: The expanded field of American art in the 1940s
- Fashion and Identity | Japan: East and West
- [ONLINE] Portraiture & Identity | Challenging Gauguin
- [ONLINE] Van Gogh | Exploring Self
- [ONLINE] A mystery mosaic and the redefinition of space in the Great Mosque of Damascus
- [ONLINE] Open Courtauld Hour: Women Artists
- [ONLINE] Open Courtauld Hour: The Future of Art History
- [ONLINE] Open Courtauld Hour: Art and Wellbeing
- [ONLINE] Open Courtauld Hour: Art in Isolation
- Art and Politics: Art in the Service of the Russian Revolution
- Drawing on Art History
- Colour: From Medieval to Modern
- Drawing on Architecture: Somerset House
- Portraiture and Identity: Challenging Gauguin
- Colour: From Medieval to Contemporary
- Navigating the City: Canaletto – Architecture & Perspective
- [ONLINE] Afrotropes and Art History’s Global Imagination
- Experiencing Landscape: Reconstructing Cezanne
- Cityscapes: Art & Architecture
- TEDxCourtauldInstitute MOVEMENT
- Researching the Gallery
- Drawing Together
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